Amara Nyein, a beautiful and dignified couple who filmed a pre-wedding in Bagan

Pre-wedding photos of Amara Nyein and her husband who will be getting married soon. These pictures were taken in Bagan and needless to say, they are dignified and very beautiful on all sides. Here is a picture of Amara Nyein sharing on her Facebook page for her Marry fans.

In Maha Bagan, which is valued by Myanmar people?

Under the Eiffel Tower and in Bagan

Every single dream of a woman who wants to shoot pre-wedding

Thank you dear man for implementing it without resentment.

The most beautiful picture of Bagan dreamsMany thanks to Ko Wai Lin (Love Diary), Sister Sandy Linn Naing, who arranged the costumes, and Kate Katie, a friend who worked hard to organize the trip.

Bagan

The culture of Bagan was dominated by religion. The religion of Bagan was fluid, syncretic and by later standards, unorthodox. It was largely a continuation of religious trends in the Pyu era where Theravada Buddhism co-existed with Mahayana Buddhism, Tantric Buddhism, various Hindu (Saivite, and Vaishana) schools as well as native animist (nat) traditions. While the royal patronage of Theravada Buddhism since the mid-11th century had enabled the Buddhist school to gradually gain primacy, other traditions continued to thrive throughout the Pagan period to degrees later unseen.

Bagan survived into the 15th century as a human settlement,[12] and as a pilgrimage destination throughout the imperial period. A smaller number of “new and impressive” religious monuments still went up to the mid-15th century but afterward, new temple constructions slowed to a trickle with fewer than 200 temples built between the 15th and 20th centuries.[2] The old capital remained a pilgrimage destination but pilgrimage was focused only on “a score or so” most prominent temples out of the thousands such as the Ananda, the Shwezigon, the Sulamani, the Htilominlo, the Dhammayazika, and a few other temples along an ancient road. The rest—thousands of less famous, out-of-the-way temples—fell into disrepair, and most did not survive the test of time.

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